JANE FINLAY

JANE FINLAYJANE FINLAYJANE FINLAY

JANE FINLAY

JANE FINLAYJANE FINLAYJANE FINLAY
  • Home
  • About
  • PRINT SHOP
  • WORK
    • EXTINCTIONS II
    • HEY WHAT
    • The edges are things too
    • here, t/here
    • further,closer
    • Border Fires
    • Lost in a Forest
  • AI CHAPTERS
    • The Disasters of War
    • Los Caprichos Re-imagined
    • Burnt Desire
    • Architecture Grief
    • The Anatomy of Sorrow
    • Extinctions
    • Doomerism
    • Invasives
    • Speciesism
    • Theatre of the Absurd
    • Firescapes
  • Contact
  • More
    • Home
    • About
    • PRINT SHOP
    • WORK
      • EXTINCTIONS II
      • HEY WHAT
      • The edges are things too
      • here, t/here
      • further,closer
      • Border Fires
      • Lost in a Forest
    • AI CHAPTERS
      • The Disasters of War
      • Los Caprichos Re-imagined
      • Burnt Desire
      • Architecture Grief
      • The Anatomy of Sorrow
      • Extinctions
      • Doomerism
      • Invasives
      • Speciesism
      • Theatre of the Absurd
      • Firescapes
    • Contact
  • Home
  • About
  • PRINT SHOP
  • WORK
    • EXTINCTIONS II
    • HEY WHAT
    • The edges are things too
    • here, t/here
    • further,closer
    • Border Fires
    • Lost in a Forest
  • AI CHAPTERS
    • The Disasters of War
    • Los Caprichos Re-imagined
    • Burnt Desire
    • Architecture Grief
    • The Anatomy of Sorrow
    • Extinctions
    • Doomerism
    • Invasives
    • Speciesism
    • Theatre of the Absurd
    • Firescapes
  • Contact

Jane  Finlay is an Australian interdisciplinary artist and photographer  living and working on unceded Noongar Whadjuk boodja, Boorloo, WA whose  work has been exhibited and published since 1996. 


Conceptual research driven explorations of site, materials and matter  frame her creative practice. Working across photography, sculpture,  drawing and installation Finlay draws from an interdisciplinary practice  to document, research and interrogate the strange, questionable  observations of lived experience. 


She  is interested in the language of  of photography and image-making and  draws her creative output from multiples sources of inspiration.  Process, disruption, experimentation and documentation are essential to  her creative practice.


Finlay regards the camera as a tool for documenting and creatively  probing mediated constructions of narrative and context and the  photographic medium and evolving screen-based technology and AI tools as  essential thresholds for imaginatively exploring experiences of human  and nonhuman consciousness.








I   acknowledge, with deep respect, the  sovereignty of Aboriginal and   Torres Strait Islander Peoples as the  original custodians of  Australia.  I pay my respect to Elders past, present and  emerging.  Always was,  always will be, Aboriginal land.  

 Jane Finlay

 she | her

Copyright © 2024 Jane Finlay - All Rights Reserved.


This website uses cookies.

We use cookies to analyze website traffic and optimize your website experience. By accepting our use of cookies, your data will be aggregated with all other user data.

DeclineAccept